Outcomes
Experimentation involved working with naturally sourced clay in multiple states ,wet, dry, and through different firing processes, to observe its behavior, limitations, and transformations. The final work was conceived as an installation referencing an archaeological display, framing the objects as artifacts that invite reflection on preservation, context, and material history.
Process
The process began with research into geological and archaeological references, including texts such as Arqueología Indígena from the Instituto de Cultura Puertorriqueña, alongside artist research focused on material-based and ceramic practices. This research was complemented by hands-on experience through volunteer work with a community ceramic kiln in Guayama, Puerto Rico, expanding my understanding of clay as both a technical and cultural material.
Experimentation involved working with naturally sourced clay in multiple states ,wet, dry, and through different firing processes, to observe its behavior, limitations, and transformations. The final work was conceived as an installation referencing an archaeological display, framing the objects as artifacts that invite reflection on preservation, context, and material history.
Conceptual Overview
This project explores natural clay as both material and subject. Sourced directly from the environments of Cayey, Guayama, and Loíza, the clay is transformed into vessel-like and abstract forms that draw from archaeological objects and the material histories of these landscapes. Through processes of fragmentation, reconstruction, and the interaction between different clay bodies, the work reflects on preservation, our relationship to the objects we create, and the changing environments that shape us.
